All Critics (159) | Top Critics (38) | Fresh (156) | Rotten (3)
Hawke and Delpy remain as charming as ever, and their combined goofiness is more endearing than annoying.
Love is messy here, life cannot be controlled, satisfaction is far from guaranteed. Romance is rocky at best. But romance still is.
Though "Before Midnight" is often uncomfortable to watch, it's never less than mesmerizing - and ultimately, a joy to walk with this prickly but fascinating couple again.
"Before Midnight" is heartbreaking, but not because of Jesse and Celine. It's the filmmakers' passions that seem to have cooled.
Before Midnight is fascinating to watch, and so long as Celine and Jesse are communicating, there's still hope.
How (Jesse and Celine) try to rekindle that flame is what drives Midnight, a film that feels so authentic it's like overhearing a conversation you're not sure you should be hearing.
The reason this film will hold your attention for two hours is because of the natural dialogue between Ethan Hawke and Julie Delpy.
Before Midnight is like an old friend who has grown sharper and grumpier and saltier with life; and for students of cinema, the film is a masterclass in the use of the language and tools of this amazing artform to portray human nature
The beauty of this film - like the two before - is its natural flow of conversation and ability to engage and transport us into the moment
The release of each sequel is becoming an event, so it's particularly great to see Before Midnight not only meeting expectations but raising the bar.
It's a brave, challenging and essential installment in what is one of modern cinema's finest trilogies.
The beauty of this film - like the two before - is its natural flow of conversation and ability to engage and transport us into the moment
Before Midnight is no romance. It's a horror movie.
Takes its traditional romantic tale into more insightful territories.
Hawk and Delpy know just how to get under your skin. Their onscreen alter egos fit like a glove, and witnessing their ageing, nagging, toying love is a true privilege.
What lifts Linklater's trilogy above your average dialogue-heavy indie is not just the intelligence of the conversation but its frankness and humor.
There's not a hint of melodrama or falsity in the Before series.
The 'Before' trilogy is a vacation for me. I am taken away, and it is never for long enough. I genuinely feel lucky to have these movies.
I'm not sure this is the end of Richard Linklater's 'Before' trilogy. It's perfection just as it is, but then again, Linklater has nine more years to work on the sequel.
Loving words mix with personal attacks, the magic moments with the unintended slights, as we witness the occasional desperation of imperfect people doing the best they can when life moves beyond meet-cute and courtship. That's authentic.
Linklater and his players bring an end to the fantasy and welcome the thrilling ups and bitter downs of reality to this love story.
Like the first two films, it reflects the real world in a way that seems almost preternatural. It's just that, here, the real world is a harsher, more disappointing place.
The duo, clearly so comfortable in their characters' skin, indulge in intelligent banter, sharp humour and emotional truths.
So much better written than contemporary novels, this film is a literary as well as cinematic achievement to cherish. For grown-ups.
As before, it's often very funny, with Jesse and Celine swapping Woody Allen-esque one-liners - nicely snarky, appealingly abrasive.
The acting, the dialogue and direction are superb.
Source: http://www.rottentomatoes.com/m/before_midnight_2013/
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